The Securing MediaMakers Forum explores the growing need for security — ranging from data encryption to legal teams to protected work environments — among investigative journalists and documentary filmmakers. While this is an historical issue, panelists address these issues in the contemporary context, calling out First Amendment erosions brought by the Trump administration and his sanctioning of threats and contempt for journalists and political opponents. Participants will share professional experiences in the US and beyond, and discuss best practices needed to make incisive and impactful documentaries and investigative stories. Questions to be addressed include: How has the spectrum of “who” is at risk been broadened in the current political climate? What steps can one take to ascertain whether their work is being monitored surreptitiously? What security tools or tactics have journalists and filmmakers found most helpful and useful in ensuring their work gets produced? What tips do professionals have for students interested in pursuing careers in these fields?
Co-Sponsored by the Global Media Technologies and Cultures Lab in the Department of Comparative Media Studies at MIT.
Lisa Parks is a media scholar whose research focuses on three areas: satellite technologies and media cultures; critical studies of media infrastructures; and media, militarization and surveillance. Parks is the author of Cultures in Orbit: Satellites and the Televisual (Duke UP, 2005), Rethinking Media Coverage: Vertical Mediation and the War on Terror (Routledge, 2018) and Mixed Signals: Media Infrastructures and Cultural Geographies (in progress). She has been a PI on major research grants from the National Science Foundation and the US State Department, and has collaborated with artists and computer scientists. She is committed to exploring how greater understanding of media systems can inform and assist citizens, scholars and policymakers in the US and abroad to advance campaigns for technological literacy, creative expression, social justice and human rights. Before joining the CMS/W faculty, Parks was Professor and former Department Chair of Film and Media Studies at UC Santa Barbara, where she also served as Director of the Center for Information Technology and Society.
Assia Boundaoui is an Algerian-American journalist and filmmaker based in Chicago. She has reported for the BBC, NPR, PRI, Al Jazeera, VICE, and CNN. Her debut short film about hijabi hair salons for the HBO LENNY documentary series premiered at the 2018 Sundance Film Festival. Her feature length debut THE FEELING OF BEING WATCHED, a documentary investigating a decade of FBI surveillance in Assia’s Muslim-American community, had its world premiere at the 2018 Tribeca Film Festival. She is currently a fellow with the Co-Creation Studio at the MIT Open Documentary Lab, where she is iterating her most recent work, the Inverse Surveillance Project. Assia has a Masters degree in journalism from New York University and is fluent in Arabic.
Parker Higgins is the Director of Special Projects at the Freedom of the Press Foundation. He is an artist, activist and developer whose writing has appeared in Wired, Gizmodo, Techdirt, PBS Media Shift and The New Inquiry and whose work has been covered in outlets such as Newsweek and NPR. Parker was previously the Director of Copyright Activism at the Electronic Frontier Foundation, where he wrote and spoke extensively about the importance of the open Web and its role in resisting censorship and surveillance. He is a graduate of NYU’s Gallatin School of Individualized Study and an alum of Recurse Center in New York.
Sara Rafsky is a freelance journalist and M.S. Candidate in Comparative Media Studies at MIT. Previously, she lived in Mexico City as Researcher on Central America at Amnesty International. Before that she was the Americas Research Associate for the Committee to Protect Journalists in New York, where she reported on press freedom in Latin American and the United States. She wrote about culture and politics as a freelance journalist in New York, South America and Southeast Asia, interned at the Associated Press in Bogotá, Colombia and was the Editorial Assistant for ARTnews magazine in New York. Sara also lived in Argentina, where she worked with the Ford Foundation and interned with Human Rights Watch and the Center for Studies on Freedom of Expression and Access to Information (CELE). In 2008, she received a Fulbright Grant to research photojournalism and the Colombian armed conflict.
Patricia Aufderheide is a scholar on media and social change and Professor of Communication Studies at American University in Washington, D.C. She founded the School’s Center for Media & Social Impact, where she continues as Senior Research Fellow. Her books include Reclaiming Fair Use: How to Put Balance Back in Copyright (University of Chicago), with Peter Jaszi; Documentary: A Very Short Introduction (Oxford), The Daily Planet (University of Minnesota Press) and Communications Policy in the Public Interest (Guilford Press). She has been a Fulbright Research Fellow twice, in Brazil (1994-5) and Australia (2017). She is also a John Simon Guggenheim fellow (1994) and has served as a juror at the Sundance Film Festival among others.